With
Reckoning, RS Guthrie takes the fiction writer’s rule book,
shreds it in mighty fingers and reassembles it into a new way of
engaging audiences.
Reckoning
is the third of Guthrie’s books to feature Denver Detective Robert
Macaulay, also known as Bobby Mac and also known as the heir to the
occult power of Clan MacAulay.
Busting through the genre boundaries
Reckoning,
like Black Beast and LOST, the previous Bobby Mac
novels, is a noir cop thriller, a police procedural whose villain
just happens to be (spoiler alert!) a demon.
Right
there, he’s broken the artificial boundaries imposed on genres.
Guthrie’s Bobby Mac novels read like gritty cop stories, yet
somehow the supernatural elements fit perfectly.
Another
rule that he breaks: modulating between the first and third person
perspective. Most of the book is narrated by Bobby Mac, and Guthrie’s
command of the tough, no-nonsense cop dialect (ever notice how cops
all sound the same, no matter where they come from?) is flawless. But
where the story needs a third-person omniscient POV, Guthrie
smoothly shifts for exactly as long as he needs to.
He
has created his own style here. It's as if Bobby Mac is sitting
beside you on the porch, telling you what happened. No, actually,
it's more like he's sitting across a campfire on a moonless night,
telling you about what is deep in those shadows. At times, Guthrie
gets a little too philosophical, waxing about the relationships
between parents and children or mentors and protégés; occasionally,
I started to lose patience. But for all that, Guthrie kept me
flipping pages (or flicking my iPad screen, to be precise).
Plot
This
trilogy is all about the battle between a demon, Samhain, who is
opposed on earth primarily by the Clan MacAulay of Scotland. Today,
that clan is represented by Detective Bobby Macaulay of the Denver
police force, who has inherited the Clan’s ancient weapon against
Hell, the Crucifix of Ardincaple.
Decades
ago, Pink Floyd said "One day you find, 10 years have got behind
you.” The story of Reckoning picks up where LOST left off, but 10
years later. Bobby Mac has remarried, had another family — triplet
girls — and is starting to think about retiring from the police
force. Evil returns in the form of a serial killer plaguing Denver.
In a nod to noir thrillers of yore, the first case mimics the Black
Dahlia.
Like
any good police procedural, the story follows Bobby Mac tracking down
clues and fighting against the awful realization that the enemy he
knows best, and thought destroyed, has returned.
Best and worst
The
best part of Guthrie’s stories are the relationships between the
characters. They’re all combinations of positive and negative
qualities, inconsistent and flawed. You never really know their
motivations, because the characters themselves are never really sure
just what combination of attitudes, fears, desires and blindnesses
are driving them.
I
have always enjoyed Guthrie’s descriptions of Bobby Mac and his son
trying to communicate through all the layers of love and mistrust and
history and baggage. However, as mentioned, this time it seemed to
get a little long. The narrative seemed to keep veering off onto
tangents.
Also,
I felt that with this installment of the story, you really had to
have read the first two books to understand what was going on.
For
example, as the book approaches the final confrontation between good
and evil, Bobby Mac explains "the whole story" to his
partner, but not explicitly in the story. The book reads more like "I
told him the whole story,” rather than recapping it, or describing
some action that would encapsulate the conflict. While this technique
is a good way to abbreviate another info-dump and avoid rehashing
stuff that loyal readers already know, it also risks alienating those
who have not read the previous installments. (Maybe it's a clever way
of boosting sales of the other books.)
Overall,
Reckoning, the finale of the Bobby Mac trilogy (although
Guthrie keeps saying he'll have other stories about Bobby Mac) is an
enjoyable, satisfying completion to the trilogy. It wraps it all up
in Guthrie's lean, aggressive writing style without missing a beat or
leaving a loose end untied.
And
it's engaging, one of those stories you can't put down.
If
you want a good read that breaks all those worn out conventions of
genre boundaries and unnecessary rules, read Reckoning. But you
should probably read LOST first, and probably Black Beast
before that.
To get the books, the best place to start is Guthrie's website or his blog. Or visit his Amazon author's page.
You can also get a signed copy of Reckoning directly from Rob.
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