Independent novel review: Double Bind by Seb Kirby

“The guy with the bad attitude has been following me all week.”

Seb Kirby gets right into the story in Double Bind. There’s not a wasted word in this book: no background, no world-building, no nonsense. The writing is spare and clean, active yet evocative, told in first-person present tense, which enhances the action and immediacy.

Take this for an example: “Elmington Drive is a wealthy suburban street. Smart gardens, no parked cars, large houses, most with gravel drives and tall shrubs.”

Because he gives readers credit for knowing something, Kirby is able to painted a picture in a few phrases.

In short, Kirby is a true professional writer of fiction.

The story begins with the narrator, successful author Raymond Bridges, meeting his double at a book signing. The double accuses Bridges of stealing his face and identity — and his pen name. Soon, Bridges finds himself in a new body, victim of spreading ripples of identities displaced into new bodies. Double Bind is a science-fiction story presented like a mystery — not an easy assignment for any writer. Kirby has the skill to pull it off.

Kirby makes it all make sense by explaining the process and the science through the characters’ actions. Bridges, who becomes Erin Pascoe (that’s a man’s name in the UK, apparently) gradually learns the details, like one of Raymond Chandler’s detectives.

Kirby makes his characters real through their words and actions more than through verbose descriptions. Bridges is actually not that likeable. He’s a liar, an imposter, someone more than willing to take shortcuts to get what he wants, no matter what they do to others.

Victoria Bletchley, Bridge’s love interest, is one of the most desirable and admirable women I’ve read in fiction lately. An English professor, she’s a long-legged looker, too. She loves “rutting” and reading, more or less in that order, and she’s smart. Even for an English professor.

Here’s my favourite passage featuring Victoria:

Strang [a cop] is sounding impatient ... “Pascoe is a suspect in at least one, possibly two, murders. Keep stalling like this and you’ll leave me with no option but to take you in for obstruction of justice. That’s if I don’t arrest you as an accomplice to murder.” 

I’m wondering how Victoria is going to get out of this when she uses her contextualizing skills to great effect. “OK. I do porn. Looks like I’m well off, but this is my mother’s place and I have expensive tastes.”

Smart, sexy, beautiful, brave and able to think on the spot of something sure to throw a cop off his game — what more could anyone, even a writer, want in a woman?

All the characters are believable, especially the villains, who range from London gangsters to corporate types. Again, Kirby is able to evoke them clearly in the readers’ minds with a minimum of words.

All the way through (it’s not a long book), Kirby keeps us hooked with tantalizing clues and a style that you just cannot put down.

Double Bind may not be Kirby’s best-known book, but if you want a read that won’t let you go, that tells a good story well and doesn't waste your time, download Double Bind now.

5*

Find Double Bind on Amazon

Seb Kirby's Amazon Author page

Seb Kirby's website and blog

Minimalism and action: Best-seller Seb Kirby on writing style

As soon as I started reading Seb Kirby’s Double Bind, I thought: “Yes! Here is a writer who knows how to waste no time, nor words in getting to the action.” Double Bind grabs you immediately and whips you along.

Seb's style seems to blend genres seamlessly. I wondered, "How does he do that so easily?" So naturally, I subjected the author to my interview on his writing style.

How would you describe your own writing style?

I like to write short chapters, short paragraphs, short sentences. I agree with Louise Brooks that “writing is 1 percent inspiration, and 99 percent elimination.” and with Alfred Hitchcock that “drama is life with the dull bits cut out.” I also like Blaise Pascal’s comment: “I have made this letter longer, because I have not had the time to make it shorter.” I spend a great deal of time editing (which Stephen King calls “polishing”) what I've written in order to try to live up to these views.

Are there any authors whose style you admire? Do you try to emulate them?

I discovered Ray Bradbury when a teenager. I appreciated his writing then for its strength in storytelling. I admire it now for its minimalism. This arises, I think, from the fact that Ray Bradbury wrote short stories. (Even novels like Dandelion Wine or The Martian Chronicles read like collections of short stories with a common narrative.) Then, the writing needs to be expressive but succinct. I try to write like that.

I also admire thriller writers Harlan Coben and Robert Harris. Both have a talent for creating a vivid sense of place without detracting from the plot flow that is so essential to a good thriller.

Are there authors whose writing style you dislike?

Well, I think that writing style is a very personal thing and that every author will have their own take on this. There's no right or wrong way. As W. Somerset Maugham said: “There are three rules for writing a novel. Unfortunately, no-one knows what they are.” So, I end up liking Ray Bradbury's style but I wouldn't want to dislike any writing on the basis of a style different to that. The only recent read in which I found it difficult to stick to this long held view was Cormac McCarthy's The Road, which I found stylistically annoying. But then it went on to win a Pulitzer and get turned into a successful movie, so it's clear that one person's style hate is another person's literary classic in the making.

How important is your writing style to you? Are you happy with your style, or are there aspects of it you try to change during rewriting or editing?

I'd say my writing style is still evolving. I try to set myself a formal challenge in each new story. This can be a simple thing, like “Write the whole book without using any ‘said’ attributions in the reported speech.” Or it can be something more complex, as in my second thriller, Double Bind where I set myself the challenge of writing as much of it as possible in the first person present tense. Either way, I hope that this keeps my writing fresh.

Overall, I'm a keen follower of Stephen King’s approach as set out in his On Writing. In terms of writing style, there are two of his comments that I take seriously. The first: “The road to hell is paved with adverbs.” So, where at all possible I don't use them. The second: “Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” I never use a dictionary or a thesaurus.

How can readers identify your writing style? Are there particular words or kinds of words that you tend to favour? Sentence structures? Or is it more in the story, the pacing or the characters?

My writing style is, then, I think, readily recognised by readers. It is often commented on in their reviews. About ten percent deduce that this writing style is poor and not for them. But a majority seem to get what I'm aiming at and say that the pace and tension of the thriller is enhanced and that enough space is allowed for the reader to make up their own mind, for example about the appearance and mannerisms of the characters. That's what makes a minimalist approach like this worthwhile.

Do you think your genre imposes certain restrictions on writing style?

There are bound to be restrictions involved in writing thrillers. After all, the main aim is to entertain and, if you're lucky, thrill. But that's good discipline. It restricts the temptation for the author to intervene too much.

Do you think your audience responds to your writing style, consciously or unconsciously?

This is a very good question that I don't know the answer to. Maybe it's something that writers don't give enough attention. Certainly it's not something that there's much room for in the writing process where the story takes on a life of its own. For a thriller writer, the issue most often becomes: “Can I really do that and make it seem consistent and believable in the context of the whole story?”

How important do you think writing style is to an author's commercial success?

Yes, it's important. To be clear, easily understandable and inspiring are worthy aims of any writer and the means with which you try to achieve this has a real influence on how successful you might be in achieving those aims. Most would say that there is a great deal of serendipity and hard work involved in whether this translates into commercial success or not. But without it, that success is much less likely.

Seb Kirby's debut novel, Take No More, has been widely acclaimed as a first-rate mystery thriller. Drawing from his love of classic books from H G Wells to Charles Dickens, he has mastered the art of storytelling. His second novel, Double Bind, is a psychological sci-fi thriller filled with twists and turns, a hallmark of Kirby's gripping imagination. A sequel to Take No More will be available in early 2013.

Find Take No More on Amazon.
Find Double Bind on Amazon.