Exodus, Christmas and other mythic
narratives
I’ve been reading a lot about “narrative”
in news and social media lately. Not as in literature, as in a story arc, but
narrative applied to public discourse about current events. The narrative of
global warming, for example, is now being derided by climate change deniers.
In other words, “narrative” is a story that
we use as a context to understand the world around us.
The prospect of using a narrative appeals
to a writer like me. Stories are my bread and wine. And a narrative, a
consistent story arc, is essential to a work of fiction. A narrative is
particularly important to genre fiction, as it helps provide background
information: the underpaid detective who lives on his own because his work
prevents him from having a family life; the distant love interest who spurns
attachment because of a past trauma; boy-meets-girl; the odd couple; revenge.
There are only seven plots, said the ancient Greeks, and every story follows
one, or more of these basic seven narratives.
But I’m going to put it to you today, oh my
wonderful and valued readers, that narrative as a way to understand the real
world around us is caustic. Destructive.
Some common narratives today
I realize that I have grown up accepting a
lot of narratives. The Christmas story, for one. Jesus Christ, the Son of God,
was born on December 25 in a manger in Bethlehem. It’s a powerful story, one
that drives so much of our culture and activity. But it has its flaws.
Historians who have looked at the story rationally point out that lambs are
born in spring, not in the winter, for example.
Still, it’s a powerful narrative—obviously.
The Exodus narrative is the foundational
story of the Hebrew people and to a large extent of the modern state of Israel.
It’s another powerful narrative: God led the Hebrews out of Egypt to the
Promised Land.
According to the Bible, hundreds of
thousands of Jews, along with all their livestock, left Egypt somewhere around
3,000 years ago, and after 40 years settled in Canaan, the Promised Land, after
being pursued by Pharoah.
Except that there is absolutely NO
architectural or other corroborating evidence of such a monumental event. It’s
a nice story, though.
Caustic narratives
Post-traumatic stress
disorder, or PTSD—all soldiers returning from Afghanistan, or Iraq, or any
conflict, are permanently psychologically damaged. For a distressingly large
number, this is true, but it’s not universal.
Get tough on crime—governments in the US
and in Canada like to use this one. According to the narrative, lax criminal
law enforcement, luxurious prisons and short jail sentences only encourage
crime, while long sentences and jails that are not desirable places to be will
discourage criminals from committing crimes. Except that experience has
demonstrated the opposite. If society’s goal is to reduce crime, then programs
that teach poor people skills and provide jobs, food and mental health care
have proven to be much more effective than being tough on crime.
Tax cuts—none of their proponents call it
“trickle down economics” anymore, but the idea is the same: cutting taxes for
corporations and the wealthiest people will make them spend more, and thus
create jobs for the working and middle classes. Except this has never been
demonstrated to happen. If you remember, in the 2008 economic crisis, the
banks, those epitomes of the capitalist philosophy, demanded and got government
intervention to prevent their failing. The crisis and the TARP were examples of
Keynsian, interventionist economic policy at work, and the repudiation of
Milton Friedman’s hands-off ideas.
Narratives are great for fiction, for
novels. But they’re counterproductive as a way to look at the real world.
Instead of looking for a narrative, why don't we look at the world the way it really is? Look for facts, look for actual causes and effects.
How is narrative a problem? Let's consider one narrative that most people (not all) have abandoned: that humanity was created in one special moment and did not evolve from an earlier, different species of animal. A century and a half ago, the idea of evolution was largely rejected because it did not fit into the narrative most people had accepted because they'd been taught it as children by adults they respected. To accept the idea of evolution, the authorities and teachers said, was to disrespect those authorities.
And yet, many years later, we have (mostly) accepted the fact of evolution, and those institutions that strove against the idea, the churches and schools and authorities, are still with us. Yes, they've changed; some have weakened, others have become stronger.
But adhering to a narrative causes us to ignore facts that don't fit into it, and encourages choices that cause harm.
Yes, narrative is important. But it's important to construct the narrative to fit reality, and when we learn new things, to change the narrative.
Narrative is a story, and as all writers know, the story can always change.
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